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The Gift of the Magi

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❶Rea, has determined where the plotline for the story originated.

by O. Henry

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And now suppose you put the chops on. When the mutual contact and allegiance is with beauty of the soul, that state is immortal, like the soul! Henry William Sydney Porter. The American Short Story: But up to now he hasn't been a creator, only a destroyer. Forests keep disappearing, rivers dry up, wild life's become extinct, the climate's ruined and the land grows poorer and uglier every day" Russell.

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To substantiate our eulogies of the wizard and to impress upon the would-be writer the importance of studying and emulating O. Henry, we quote copiously from Stephen Leacock, Prof. Alphonso Smith, and numerous other O.

We seldom, if ever, quote opinions of critics and editors who are hostile to O. Henry and his cult. Henry's work, are baleful on all literary students who do not despise them. His is only a small Greenwich Village publication. The checks that writers receive come from editors who do like O. Henry's ways; in fact, prefer O. Henryesque stories almost to the exclusion of any other type. Hence we examine the work of our students with a feeling of satisfaction.

By far the greater number have imbibed our teachings. Thus we know that our work is not in vain; at least some of our students are on the way to success. Again, this is not a plea on behalf of those incompetents who are not O.

Henryesquely gifted and are therefore not on the way to success. It is merely a dispassionate consideration of the profession of teaching story-writing and its existing standards and ethics.

Henry story is held up as the supreme model, it is only fair to inquire into the results thus produced. We have been so eloquent with pride on the progress of our short story. The quantity turned out annually is beyond the dreams of such a pioneer as Poe. But the quality—ah, that is another story!

What proportion of this wholesale output can be candidly, suppressing for the moment our desire to experience flattering sensations, added to our national literary treasury?

And peculiar, is it not, that though we have been heaping the warmest of praise upon Richard Harding Davis and Clarence Budington Kelland and George Randolph Chester and Richard Washburn Child and Mary Roberts Rinehart and a score or more of our other popular writers, the few memorable stories that do come to mind were not written by these favorites.

How much of the O. Henryesque is to be found in Mary E. I am sufficiently steeped in our inspirational literature to be aware of the dangers of pessimism. But it is only logical to deduct that if all the O. Henry standards that we have so triumphantly established and extolled for the guidance of our story writers have failed to produce a single great story to compare with the best that other countries which do not preach and practice O. Henryism have produced, there is something wrong with our standards.

These are unusual times we are living in. Everything that has seemed to us wise and sound and sublime is coming in for a share of skepticism and revaluation. Unquestionable things are being questioned.

Is it not a propitious time to attempt a revaluation of our short-story dogmas? What is the contribution of O. Henryism to our national letters and to the short story as a form of literary expression?

How great an artist really was William Sidney Porter, the founder of the Cult? Is it sacrilege to attempt to answer these questions? Henry left us more than two hundred and fifty stories. In the decade before his death he turned out an average of twenty-five stories a year. Henry in trying to live up to a three-year contract he had with that paper calling for a story a week.

There were weeks when O. Henry would sit down and write the most ingenious excuses. Needless to state that O. Henry's stories bear all the marks of this haste and anxiety.

The best of them lack depth and roundness, often disclosing a glint of a sharp idea unworked, untransmuted by thought and emotion. Of his many volumes of stories, The Four Million is without doubt the one which is most widely known. It was his bold challenge to the world that he was the discoverer—even though he gave the census taker due credit—of four million people instead of four hundred in America's metropolis that first attracted attention and admiration.

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O. Henry's "Gift of the Magi" was a story not only about the sacrifices made in love but the fear of breaking tradition. Della Dillingham sacrificed her hair to buy a gift of appreciation for the loving husband who provided for her.

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Dec 15,  · [In the following essay, Ward considers O. Henry's impact on the American short story and deems “The Gift of the Magi” the pinnacle of his literary achievement. Many English readers in the present generation received their first introduction to the American language in O. Henry's pages.

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The Gift Of The Magi essaysIn the short story ³The Gift of the Magi², by O. Henry, the couple, Mr. and Mrs. Dillingham Young sacrificed their most prized possessions for one another. They did this in order to buy each other nice Christmas presents. Essay about Analysis of O'Henry's Short Story, The Gift of the Magi Words | 4 Pages. O’Henry’s “The Gift of the Magi” O. Henry’s short story “The Gift of the Magi,” is about a couple who most unwisely sacrificed for each other the greatest treasures of their house.

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The Great Christmas Gift The story of the Gift of the Magi shows Della's courage to fight against short income, persistence to struggle with horrible life, and the ability to deal with adversities to forgo her favorite thing in very critical situation.3/5(4). Thus O’Henry’s “The Gift of the Magi” is a masterpiece that revolves around Gifts, Sacrifice, Love, poverty and Happiness. O’ Henry has very correctly compared the characters of the story with the Magi- the wise men that gave gifts to the babe and invented the art of giving and receiving gifts in Christmas, for James and Della had gifted each other with their utmost thought and love.